One of John Ford's earliest talkies, Arrowsmith demonstrates the director's underrated knack for contemporary drama. Adapted (by acclaimed screenwriter Sidney Howard) from the novel by Sinclair Lewis, the film is a prestigious vehicle for Ronald Colman in the title role of Martin Arrowsmith, a promising physician whose research ambitions are curtailed when he improbably marries the adoring but comparably dim-witted nurse Leora (Helen Hayes), who relocates him to her South Dakota home and convinces him to be a country doctor. Unchallenged and unhappy, he readily accepts an offer to battle bubonic plague in the British West Indies, where he encounters both triumph and tragedy. Creaky logic and primitive sound quality don't stop Ford from crafting some still-impressive sequences (the island sequences prepared Ford for 1937's The Hurricane), and the theme of marriage-vs.-career remains timelessly relevant. Though not as powerful as the Lewis-based Dodsworth (1936), Arrowsmith is that later film's worthy companion. --Jeff ShannonMore...
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