During World War II, Michael Powell and his writer-producer partner Emeric Pressberger were enlisted to make films in support of the British war effort. While many of their contemporaries turned out routine thrillers, Powell and Pressberger created inventive dramas with a patriotic purpose. The 1941 adventure The 49th Parallel, about a small German U-boat crew stranded in Canada off Hudson's Bay, is a prime example of wartime propaganda turned into rousing entertainment with smart writing, engaging characters, and creative cinema. As the Germans traverse the length of Canada, attempting to outrun authorities while seeking a passage to the still-neutral United States, they encounter a wide array of citizens from all walks of life, including French Canadian trapper Laurence Olivier (with a perhaps overenthusiastic accent), Hutterites Anton Walbrook and Glynis Johns, intellectual aesthete Leslie Howard, and two-fisted AWOL soldier Raymond Massey. As the Nietzschian sermons of Nazi leader Hirth (Eric Portman) fall on deaf ears, his party dwindles in number as the people of Canada rise up to stop his escape, not so much with violence as with pure defiance. The rhetoric isn't subtle--the film was designed to both strengthen ties to Canada and encourage America's entrance into the war--but the vivid location shooting provides a marvelous travelogue of Canada's landscapes and natural beauty and a loving portrait of the rich culture north of the 49th parallel. The picture earned Emeric Pressberger an Academy Award for his original story. This movie is also known as The Invaders. --Sean AxmakerMore...
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