State of the Union is somewhat better as a Spencer Tracy-Katharine Hepburn movie than it is as a Frank Capra picture. No doubt about it, these are two good roles for the smitten stars: Tracy is a self-made businessman reluctantly drafted into a dark-horse presidential candidacy; Hepburn is his estranged but whip-smart wife, who joins him on the campaign trail. Adding intrigue is the newspaper heiress (played with relish by baby-faced Angela Lansbury) who's the cause of their marital problems. She's also the one who convinces a longtime political horse-trader (Adolphe Menjou) to take up the campaign--which leads to a series of compromises for the candidate.
The Capra flavor is here, in the paeans to liberty and the American Way, and in the crackling pacing of dialogue scenes. Capra's affection for supporting players is also evident, with standout stuff from Menjou, Van Johnson (as a cynical aide), Lewis Stone, and Raymond Walburn. But the film's roots as a hit play (by Howard Lindsay and Russel Crouse) are a little too evident, and the film as a whole doesn't feel as bracingly Capraesque as the director's 1930s work. Having said that, the political satire is as relevant today as it was in 1948, although the rapid-fire topical references might be puzzling to non-campaign buffs. Note for bloopers collectors: Hepburn's name is spelled "Katherine" in the opening credits. --Robert Horton More...
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