Some Soviet films from the 1920s occasionally feel like work, but not this one. By general consensus, Earth is among the most exalted of all silent films. Alexander Dovzhenko drew upon memories of his rural Ukrainian childhood for this lyrical ode to peasants (in true Soviet fashion, they are radicalized by the arrival of a new tractor). What is so remarkable about the film is not merely the visual poetry, but Dovzhenko's earthy (there is no other word for it) appreciation for the human being: a grandfather pauses in his dying to gobble up a ripe pear, farmers urinate into the radiator of the overheated tractor, a child happily munches on a melon after a tragic death. Dovzhenko embraces it all, and his image of a man dancing alone on a moonlit road is one of the cinema's great expressions of simple joy. This is a true masterwork. --Robert HortonMore...
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